Adam Rafferty’s Blog – Guitar and Spirit

Adam Rafferty On the Road: April 2008 Europe Tour Review

Greetings Friends!!!

It’s 4am and in feels like 10am and I am back in NYC after a long commute back from Linz, Austria – you know, one of those good ol’ 14 hour treks.

Well all I can say is THANK YOU to those that helped, hired, drove and hung out with me overseas. The tour was an absolute success, and ridiculous fun. I am on Weiner schnitzel overload, but some NYC chinese food and Starbucks will balance out my body’s PH.

I did want to do some road blog entries, but time was too short, and I was in “tour zone”. It ain’t like sittin’ at home with my ibook! Here is a quickie video greeting, and an in depth review follows…

[youtube=https://www.youtube.com/watch?v=JXzkjwl0Azw&hl=en]

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ABOUT THE PERFORMANCES
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I have only toured Europe with a band, and going solo I must say – there were certain aspects that were MUCH easier (sorry guys, I still love you!). Coming and going when I wanted and less overall managerial functions made it easier. Also, no one to egg me on to stay out until the birds chirped kept me in better shape physically 🙂 Fitting in a taxi also made things comfy. (Yes, I have done a whole jazz trio with upright bass in a German taxi….that’s a good way to practice swear words in a foreign language)

Oh, and did I mention one plane ticket, train pass and hotel room on off nights instead of 3?

Hey – that’s just gravy though…the music is what led me to solo playing, but it is a nice perk to have lower expenses. 🙂

I did miss having some other musicians to “lean on” sometimes, and the intensity of playing solo was, well…intense! Of course I will play with bands, but this is what is happening now!

Fortunately I had more than enough material to do 2 long (1 hour plus) sets. That’s with pretty much no improvising, so it’s quite a lot of music.

I really re-learned an aspect of practicing music, which is “practice the tune you think you know” because just when you think you’ve got it covered – that’s where a brain fart can happen!!! I was shocked at where mistakes happened. I knew, and I am sure no one else did.

As well, I found that early in the tour I had concentration problems and difficulty being “present” while performing. I was concerned with the show’s flow and often thought about “what tune will I play next” while playing a tune.

That’s ok – a few musical brain farts in the music would zap me back into the present moment, and all would be well again.

Audiences were of 3 sorts: 1) a hushed concert audience that had to be shmoozed to an loosened up. 2) a cigarette smokin’, beer swillin’ audience that had to be attacked 3) and something in-between. All 3 types are expected and totally cool. A performer should be able to deal with all those situations. Just don’t play a sentimental ballad for the beer swillers.

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ABOUT THE TRAVEL
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Well, at least now I know I can actually move across an airport and train station with 2 guitars, a suitcase and a laptop case. I was a little unsure about the sheer physicality of moving around, but it worked out ok.

And, kudos to Bruce Lamb of https://casextreme.com – guitars did get thrown around, but survived. The only scratches on my Taylor are due to my percussion!

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ABOUT THE PEOPLE
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One of the success / self help people I have been checking out lately is a guy by the name of Joe Schroeder (I got hold of an interview done by Mike LIttman) and he made a comment “people first, money second” and really beat the drum of the spiritual approach to business, as opposed to the “money first, people second” approach.

You can’t TRY to do this because that’s like saying “once you fake sincerity, you got it made”. It’s only in hindsight that you see what attitudes take you through life happily. Dare I say maybe a smidge of wisdom is dawning? 🙂

I came to realize that touring and playing music can be summed up in one word: LOVE. That is just where it is at! Sounds easy and as if it is regurgitation of someone else’s principle – but I realized that it is all about “people first, gigs second” and NOT “gigs first, people second”….which is an easy trap to fall into when you are booking a tour.

I enjoyed my time with the people who helped me organize and helped schlep PA systems, and all that. I enjoyed connecting with parents of kids who enjoyed that concerts at schools. I enjoyed shmoozing with the audiences. People first!!!

Funny how it works. There was just way less ego involvement than I have had in previous years, less self importance. There I was, just wanting to turn people on with the music…and when faces would light up, and there’d be a buzzing energy in the room. One club owner told me after the gig “I do 100 concerts a year here and can see whether or not the people REALLY dig it or not – and man, they loved this!!”

And I realized, this is about people, whether it is a student, a club owner an audience member, an old friend – whatever. All the yummy stuff surrounding success comes second. All the books say this, but to experience it first hand is POWERFUL.

I am not an articulate enough teacher in this subject to tell you how to do this, all I can tell you is that when my mind shifted to LOVE and PEOPLE, the world shifted to SUCCESS!

I guess another way to say this is when one shifts from GIVING instead of WANTING the world opens up and actually gives the giver even more!

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ABOUT THE MUSIC
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Playing solo is much more akin (at least to me) to being in a rock / pop band than playing jazz guitar with a band.

Every tune is planned, and the evening is “crafted” with dynamics, highs an lows, covers and originals. Contrast is vital to making solo guitar interesting for a long time.

In the vein of my hero, Tommy Emmanuel – I strove to make it enjoyable for non musicians as well as musicians…and it worked!!!

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WHAT, SO WHAT, NOW WHAT ?
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Well it is over and in the past coming home from tours has been a downer. Not this time, I am psyched for the next one. I have some Kentucky gigs in May, some summer stuff, and a festival outside Prague in November 2008, so I’ll be busy filling in dates.

Time to catch up on some sleep!

zzzzzzzzzz

Things are a Changin; Right Livelihood in the ‘Hood!

By Adam Rafferty Leave a Comment

Hi friends. What I am about to write is rather diary like. Hope you don’t mind. It’s also a THANK YOU note.

Ok, to all of you who have kids, and a house and 2 cars and many responsibilities, my life probably looks like a walk in the park. Hey, I have been careful to try to carve out time and space for the “creation” of my life – which is playing music. I’ve also made (and make) emotional sacrifices so that life circumstances don’t eclipse the music.

I have a lovely lady in my life, 3 cats between us, and I am a musical entrepreneur at heart. I am blessed.

Yet I still have my ghosts, demons, responsibilities, doubts. However, action is about to change all of that, or at least kick it’s butt. In fact the action has started – as thought.

I digress – It’s funny – practicing music is like not wanting to drink at a party. It seems everyone pressures you contrary to your needs and desires (unless of course I am simply creating my reality). “C’mon, have a drink” is like “do you have free time, aw you always practice…” Next thing you know – days slip by and others are getting their needs met…just not me. Well guess what, I am saying YES to my needs and it may sound like a NO to them now, but too bad.

The compulsion to fill every moment with something, some activity- particularly if it makes money – does not allow for 2 seconds of spaciousness – the quiet out of which music springs forth. Again, I take 100% responsibility for what’s happened these past few months, and I am responsible for a new direction.

Right now my “music” is many things – communication with people, practice, composition, booking gigs, reaching out and learning from those further ahead than I, and most of all – working on myself as a person. I have been doing the personal development work prescribed by many of todays success teachers and gurus (who are actually very hip).

The upshot?

No more fall back plans allowed. I am jumping off the cliff and will find wings on the way down (Ray Bradbury’s quote).

Music for me is a FULL TIME gig. All the “fall back plans” (steady little time consuming gigs of various sorts) are eating up 4-5 days a week, leaving spaciousness for 2 or 3. So what was once good to help pay bills and “help become” a working musician has now become a ceiling and a hindrance.

Without going into details, I will say this: the train is leaving the station, so to speak. I am on my way to the next level – not externally, but internally. My commitment to music and this life is in a deeper place than ever before.

And who is the thank you for? You!!! Family, friends, fans. Particularly my YOUTUBE fans.

It’s amazing – without audience feedback, I guess much of this music and new acoustic direction would evaporate like a small puddle on a summer day…but the response has been so AWESOME that any last shred of self doubt has turned into a resounding “I can do it!”. All I need now is patience!

Addition: In younger years I had many “great ideas” and thought – “yeah, I could do such and such if I wanted”. Now I see – it’s the action that counts!!!! Anyone can say “I could do it if I wanted”. I ask – “well, what are you doing?”

I know in my bones that this is what the Buddha meant (sort of…err, I hope) with the concept of Right Livelihood. A calling, a passion that benefits the giver and the receiver.

Hmm…I think someone wise once said “get good enough out of the way to make room for great” 🙂

Stay tuned…more music is on the way!

Love

Adam

Don’t Use a Metronome

By Adam Rafferty 153 Comments

Recently, a new fan who found me on YOUTUBE asked me if I used a metronome to develop my sense of groove.

Not a simple question, or topic, I am sure I’ll say some things here that will raise some eyebrows.

That being said – “there is more than one way to do it”. I can only tell you what has worked for me, and I still have a lifetime of learning ahead!

Here goes.

[Read more…]

Safe Air Travel with an Acoustic Guitar – Part 2

By Adam Rafferty 23 Comments

Greets friends! I am writing here from Mexico City’s Four Seasons hotel. No, I’m not on tour, unfortunately – I am here for a family affair, but man it is nice to live like a king here for a few days.

https://www.fourseasons.com/mexico/

So, with all the sites and magic of Mexico City what have I done all day? Sheddedguitar in my hotel room. 🙂

Since my last post regarding my mini tour in PA, I have purchased 2 pieces of equipment for touring – Case Extreme road / flight case (https://www.casextreme.com) and a second Taylor 314-CE as a backup guitar.

Id like to tell you about this extrordinary case (guitar post coming).

Everyone will tell you something different about traveling with a guitar and airlines.The truth of the matter is that it is anybody’s guess as to whether you’ll get the axe onto the flight or not. And many guitars have gotten destroyed or seriously messed up on flights.

Each airline has diffferent policies. Furthermore, the same airline can change policies depending on what side of the bed the gate person woke up on. The TSA issued a letter that instruments should be let on – but it is the wild west once it’s you, the gate person and the plane.

If you are traveling with a solidbody or small archtop, bring it in a SOFT case- it will fit in the overhead just fine.

Many people will tell you that gate checking is fine, and I have never done it. If you gate check, it will get handled more nicely (you hope) but if your flight is turbulent, who knows what will go on during the ride?

Also I keep hearing guitarists say “I get the axe on, no problem”. Great, I salute you – but it’s Russian roulette. The day will come where it will not go on. I’m such an optimist, aren’t I? 🙂

The first 2 things I’d recommend with an acoustic are this – loosen the strings to take tension off the neck. Then, pack bubble wrap around the neck, especially where the neck and headstoock join, and the headstock itself.

Apparently a lot of damage happens if the neck and neckjoint are bouncing around inside the case. The tension of the strings would only help snap the headstock off even better, hence the loosening. You want to stabilize the guitar inside the case.

I called Taylor and they un-officially recommended Casextreme.com It is a clamshell case made out of plastic – the same stuff used by the US postal service. Inside it are heavy foam rubber “C” shaped things that go around your guitars hardshell (or soft) case. The concept is that your axe iis floating – much the way when you buy a VCR or computer, styrofoam is suspending it,so if the box takes a hit, the thing inside doesn’t.

Well, go to their site and watch the video of the company owner attempting to beat up a guitar in one of these. He’s using the claw side of a hammer, and even jumps up and down on the axe. No prob -takes a Taylor out in a SOFT GIG BAG, and it’s just fine.

Even a heavy road case does not have much padding. Something heavy falling on the guitar could really crunch it . With the Casextreme, it would have to go through this super heavy plastic, squash this heavy foam rubber, and THEN pierce the hardshell case.

Go to the site and watch the vids!

https://www.casextreme.com

Needless to say my axe got here in one piece, and I am a happy camper. I checked it as regular baggage.

They are big enough though that traveling with 2 (if I want to bing a backup guitar) willl be a formidable challenge!

More to come. I have more flights, and I hope that it all works out. Consider no news to be good news.

Adam Rafferty Mini Tour in PA 2/2008 – Review

By Adam Rafferty Leave a Comment

Wow. My little road trip was tiring – yet fulfilling and eye opening. That’s what I call success!

Last week I made my way out to Butler, PA (just outside Pittsburgh) because I lined up a few gigs at coffee houses. Not huge gigs, but the people were so appreciative, boy it felt great to connect with them.

Since the solo acoustic genre is pretty new to me, I had to do a “rubber hits the road” situation for my own knowledge. I had several questions that I needed answered, like –

Do I have enough material for 2 good sets?
Will I get the guitar on the plane?
What travel expenses can I anticipate traveling solo?
What kind of sound systems will I encounter?
Just how big is the USA? 🙂

And so on.

While a jazz trio tour in Europe (of which I have done several) may sound more exotic – it’s really just a different set of circumstances and logistics. I needed (and still need to) learn this new aspect of touring.

First off, let’s just say the music was a hit! I loved connecting with the folks out there. Bruce, the owner of Kairos Coffee (where I played the Saturday night gig) told me that he’d never seen the audience be that attentive before, and stick around for 2 sets.

I was also very curious to see how & what I’d do for a full night of solo guitar. For every 3 parts playing, I did one part shmoozing on stage. We hired a local sound guy who brought a great little PA system, which made that gig a breeze.

Flying with the guitar was stressful. Until now I have flown with small electric guitars which fit in the overhead. I read an article by Pat Kirtley here: https://www.win.net/mainstring/carryon.html but things change every few years and this web page is from 1997!

Luckily I got the axe on the flight. I loosened the strings & packed the neck & headstock joint in the case with bubble wrap (read Pat’s article) and planned to GATE CHECK the guitar. But even so, if the baggage guys are using lifts, or if a flight is turbulent there are no guarantees that an axe will arrive safely.

This was a serious lesson as far as touring with an acoustic guitar. Upon arriving home I called Taylor and the unofficially recommended this guy – https://www.caseextreme.com

Check out the vids on his site, if you are in need of a flight case. He hilariously works up a sweat beating a guitar case up. I ordered one of his cases immediately.

As well, I will need a backup guitar. Not out of attachment and because it’s cool – that’s just reality! (my reality 🙂 )

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As far as the area – and mind you I was from out of town – I felt like I was in a Michael Moore movie. I found myself itching during the day wanting to do something and drove over to the Walmart and walked the isles when I couldn’t take any more practicing. Weird. Ok, I know that the US is not all like that but it was a shock to my system to see all these strip malls and huge mega chains, making every place in the USA look and feel so similar.

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Another aspect of this that felt particularly good is I just had a sense of “I’m doing what I have to be doing”. This is tricky to describe, because it was my own sense of fearlessness and accomplishment.

Until recently I had this sense that there was a way via promotion, smoke and mirrors, and contacts to get a career going. Of course knowing the right people and working intelligently is important. There are higher visibility events – magazine articles, radio interviews & airplay, TV appearances, hits on a website, etc. But the fabric of playing music is not just that.

Not to get off topic – but allow me to digress for a second. I can’t believe how much music is out there that people don’t actually like – but that is promoted because of an agenda, a connection, and ego trip. Maybe people pretend to like it to seem hip, cool or intellectual. I myself have seen so much music where I find myself scratching my bald head saying “is this touching me?”

When you hear great music it’s undeniable. It touches people and the people demand it because they love it. They come back for more. Just look at Ray Charles, Earth Wind & Fire, Stevie Wonder, not to mention all the other greats. There’s no denying it. Many jazz musicians, I believe, get de-railed and lose sight of the goal – which is communication (not the greats, though).

That’s the standard I hold for my music. Let’s see if everyday folks like it. Let’s see if they want a CD and feel their souls light up. If the music is on that level – it is for real. I am just at a point in life where I prefer the brutal honesty of this. Life’s too short! I want to be touched by music in the heart – not the head – and would like to do the same for people.

The meat and potatoes of it is the actual playing music for people and communicating. The actual activity of it. It’s about paying the dues to get out there and just do it. Until I did this new acoustic music I experienced an inner holdback, like a pride of saying “I won’t play for less than…” or “it’s not worth it..”.
A wise person once said behind each prideful “I won’t” is really a feeling of “I can’t” – simply hardened over.

Jack Canfield also has a great saying – “99% is a bitch, but 100% is easy”. When I read that I went – “yeah!”.

There is no substitute for getting out there and playing. Why? Because it’s not only music – it’s about people and connecting. The silent dialogue behind the words and music are the true communication, the presence, the sense of interchange and dare I say – love?

Yes, love even with total strangers. Because at the moment you meet – your eyes meet, greetings are interchanged – it’s the same as knowing someone for years. It’s all the same – the souls are in a dance, and energy is shared, given and taken. It feels good.

I did a Sunday workshop and my only attendees were a little girl (age 5) and a young fellow (age 12). I gave both a lesson and simply tried to impart enthusiasm and turn them on and inspire them. Whether it’s a young person, old – whatever – it’s my job to send them off excited and happy through whatever I can churn up with these 10 fingers and 6 strings.

So was the trip worth it? You bet!